Carlos Acosta: Refashioning ballet with socially distanced t

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Carlos Acosta: Refashioning ballet with socially distanced t

Сообщение chanchaisommach 29 окт 2020, 06:52

Acclaimed Cuban ballet star Carlos Acosta says "it feels great" to be venturing back to staging indoor performances for a live audience in the UK after months of being prohibited from doing so because of the pandemic.
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"It feels great because we've been in lockdown for far too long and it's a kind of career where if you don't exercise your body for a week you go back and pay for it," says Acosta, who is now the director of the Birmingham Royal Ballet.
"We were given Zoom classes at home but it doesn't stress your body to the level you want because you can't jump and use the space, so it's great to be back in the studio."
Acosta and the Birmingham Royal Ballet are following in the footsteps of The Royal Ballet in London which recently performed in front of a live audience in a reduced capacity auditorium.
Royal Ballet back on stage with social distancing
But Acosta is going one step further by introducing socially distanced costumes in the form of extra wide tutus for the brand-new mixed bill Lazuli Sky.
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It is the first one-act ballet commissioned and presented by Acosta since he took over as director of the Birmingham company at the start of the year. It is also due to be performed at Sadler's Wells in London at the end of the month.
"When we started, we wanted a piece where nobody would touch each other and so the dancers will be wearing elongated structures that are not static but are constantly moving and creating different shapes, evoking your imagination," explains Acosta about the spiral-shaped costumes.
As the production evolved, the company found a way of forming work bubbles to protect themselves from the virus so now some of the dancers can touch each other, but they decided to keep the costumes to reflect the realities of the pandemic.
"They're great in terms of aesthetic and a record of the time that we live in," Acosta adds.
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He has devised Lazuli Sky with the help of his designer Samuel Wyer and the award-winning choreographer Will Tuckett.
The influence for their costumes came from the crinoline skirts worn by fashionable women in the 19th Century to protect themselves from smallpox, cholera - and unwanted male advances.
They are also a nod to "pannier dresses", where an undergarment was made of wide hoops to extend the skirt sideways, and to France's Louis the XIV, known as the "Sun King", who was a ballet enthusiast.
"He had big costumes in his court, and I guess the tutu has always been a socially distanced piece of clothing; a stiff skirt that sticks out half a metre from your body. So it's taking that idea and going 'let's just push it a little bit further'," says Tuckett.
"The movement is dictated by them and the dancers have been fantastically adaptive and collaborative. Both male and female dancers wear them and so far there have been no upsets."
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Re: Carlos Acosta: Refashioning ballet with socially distanced t

Сообщение volik 02 дек 2020, 19:10

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

Сообщение volik 10 апр 2021, 21:36

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

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Re: Carlos Acosta: Refashioning ballet with socially distanced t

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